Roland Fantom G8 Synth

The Roland Fantom G8 is without doubt the best Piano / Synth Workstation I ever owned. The points that sell it are simply - its looks - its keyboard action and feel / playability and its huge 8.5" TFT colour screen which is mouse-controlled. The sound has a clarity that out-classes the Fantom X. This difference is like the difference between 16bit and 24bit sounds. Everything sounds just that bit crisper and cleaner. I particularly love the fact that the screen displays what you play and where and you can see exactly where your keyboard splits are. On most other keyboards, you would have to guess for example where your piano range ends and where your brass begins or you may have many splits where it is even more difficult. With the Fantom Gs you can clearly see it right in front of you in colour. The keys themselves are weighted and have a lovely non-slip un-shiny ivory feel to them. Whilst the purists out there will always argue that a real piano is better, I would say that you can only make this comparison with its piano sounds and you cannot lose sight of the fact that this is an awesome synthesizer with keys that are so close to the real thing and some beautiful piano sounds - what more could you ask for. Well there is plenty more; there are 2153 waveforms that provide you with 1500 preset sounds to keep you going covering all types of music. If this is not enough you can have another 512 user patches per project and you can have as many projects as you like. You can store them on a memory stick and simply load your project in, so you can invent sounds for the rest of your days. On top of this there are 512 preset “live sets” and “128 studio sets” and of course you can have another 512 user “live sets” and 128 user studio sets per project. There is a fantastic sequencer which is 128 midi track / 24 audio track and you have such a large screen to edit your songs. You can have up to 50 songs per project and the note capacity is 1,000,000, and song length is a massive 9998 measures.

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